Terminator: Enemy of My Enemy #5 (of 6)
Dan Jolley(W), Jamal Igle(P/Cover), Ray Snyder(I), and Wes Dzioba(C)
On sale June 18
FC, 32 pages
Deliberately walking into a trap to save the life of scientist Elise Fong, ex-CIA operative Farrow Greene finds herself surrounded by metal monstrosities, as she contends with not only the T-800 but a host of other robot enemies reverse engineered by mercenaries!
•Superstar artist Jamal Igle (Supergirl)!
"A great start to what should be a stellar mini-series that comes recommended." —Unleash the Fanboy
"This one offers adventure and tension, same as the original movie, but throws in a noteworthy mystery." —Comic Book Resources
"Jamal Igle’s art is solid, offering a look similar to that seen in The Final Battle currently. The action is clean and the characters are expressive." —IGN


Asbury Park Comic Con 

April 12th and 13th 2014

Berkeley Oceanfront Hotel

1401 Ocean Blvd.

Asbury Park, NJ 07712

Awesome Con DC 

April 18h-20th 2014

The Walter E. Washington Convention Center
801 Mount Vernon Place NW
Washington, DC 20001

 Free Comic Book Day

May 3rd 2014

Wild Pig Comics

14 Michigan Ave

Kenilworth, NJ 07033

Phone:(908) 245-2140


July 24th-27th 2014

San Diego convention Center

San Diego, California


August 15th – 17th 2014

Webster Bank Arena

600 Main Street

Bridgeport, CT

September appearance to be announced.



October 9th-12th 2014

Jacob Javits Center

655 West 34th Street

New York, NY


November 8th 2014

The Greater Tacoma Convention & Trade Center
1500 Broadway

Tacoma, WA 98402 

If you’re a promoter or know of one who may be interested in me being a guest at your convention in 2014-2015, contact me at mailto:JamalYIgle@Hotmail.com


Sketches from the Dallas Comic and pop Expo Sketches from the Dallas Comic and pop Expo Sketches from the Dallas Comic and pop Expo

Sketches from the Dallas Comic and pop Expo

The Terminator: Enemy of My Enemy #4 (of 6)
Dan Jolley (W), Jamal Igle (P/Cover), Ray Snyder (I), and Wes Dzioba (C)
On sale May 21
FC, 32 pages
When a mercenary army with sinister motives joins the hunt for Dr. Elise Fong, ex-CIA operative Farrow Greene is no longer sure if she’s Fong’s kidnapper or rescuer! Meanwhile, a tireless, merciless Terminator remains intent on murdering Fong before anyone else can learn her secrets!
• Writer Dan Jolley (Bloodhound, Prototype 2) turns up the action!
• Superstar artist Jamal Igle (Supergirl) delivers a classic Terminator experience!


"Good Lord! Can Anyone Withstand the Hard-Hitting Questions of the Comics Press?" 


(Semi) Daily Sketch for 2/6/14, Kamala Khan, the new Ms.Marvel.


Anonymous asked:

$100 is a lot of money for a single page.







how much is a loaf of bread? hm? $3? $5? 

At my local grocery store, bread is about $4.50 for a decent size italian loaf. If I make $7.25 and hour, that means I’d have to work 37 and a half minutes for a Loaf of bread.

but hey, that’s not so bad right? Work two hours and you’ll have a sandwich, eh?

Oh hey, turns out I also need toilet paper, rice, chicken, some veggies, a can of soup, and some cereal. (to name a few basic groceries one might need on a budget) we’ll round those things down to $25 just to make the math easier.

at $7.25 an hour I’ll have to work about 3 and a half hours for basic groceries.

That doesn’t include bills or gas or all the other groceries I need, That’s ONE quick trip to the store and I already have to work half a day just for that.

You don’t understand Anon, my pages could take HOURS if not DAYS. Between the sketching, inking, colouring, lettering, and finishing it’s taken at least a full two day’s work if not longer for each page.

I have a job that pays me beans, I cannot afford to post more pages a week without compensation. I literally cannot afford to do that. Not to mention the idea that art is only worth minimum wage cheapens the amount of work and effort that goes into producing it. I should be making WELL ABOVE minimum wage for my art via page count and commissions but it’s this damn “deviant art” mindset that makes people feel like they’re being swindled for paying a livable wage to artists. It’s rude and childish and I ask that you please stop considering artists as less worthy of affording a normal life.

You can either pay me what I ask for what you want or stop complaining about what I already give you for free.


I cannot fucking stand people who tell illustrators that something they produce is too expensive.

Yall motherfuckers want cheap? Go get some paper, get a fucking pencil and then draw it your motherfucking selves because nobody freelancing on the internet who hasn’t even half made it in the illustration world is charging you ANYTHING close to industry pricing even when some of us are as good if not better. Why? Because of people like Anon. Your name must be out there and known to charge anything close to what your time and skill is worth. Yet still? You are paying for my effort, my time, my blood, sweat and tears and a lifetime of learning my trade.

A cheap page for yo ass is a piece of paper I haven’t touched yet.


(As a freelancer I cannot staaaaaaaaaaaaaand people who pull this dogshit.)

$100 is pretty cheap for a page.

Basic math, for Anon up there: Break that $100 down into an hourly rate. Factor in materials. Factor in skill and schooling and experience. Bear in mind that a page rate *at all* means there’s a good chance it’s work-for-hire, which means that $100 a page might be all the artist gets, ever.

And then, when you’ve done that math, think about what that means in terms of how few comics artists make a living hourly wage.

Want a pro artist, anon? Pay them like a fucking pro.

I’d like to add the a professional of any stripe has the duty to themselves, and the right to charge a rate based on his skill level and the work he or she puts in.